10/04/2013

Lady in Red


She heard the news on the radio while taking her elevens’. She’d missed it on that morning’s TV, hung-over and late for work with barely a moment to brush her teeth and clumsily grab a cup of tea before running for the bus. Gillian, plump, mousy-haired and thirty-two, began to listen more intently to the news announcer’s words as she caught the name, blocking out the younger girls’ chatter in the main area of the salon.
Slowly, she found their meaning through the fog of last night’s Bacardi’s as she sat hunched in concentration. She saw a disguarded Sun and snatched it up.
“IRON LADY IN RED – Maggie to Become New Labour PM!”
Her hands trembled as she read it; “After the Chancellor’s monetary irregularities and his bitter rival’s brawling in a Glasgow pub, stunned Labour MP’s learnt last night of behind the scenes moves to make ex-Prime Minister…” (She still couldn’t speak the woman’s name) “…their party’s new leader after she resigned from her seat in the Lords yesterday.”
“For some time I have pondered a return to politics, and now New Labour have finally come around to my point of view, I think we can do business together…”
The rest was lost in a haze as Gillian’s eyes refused to focus. One of the girls sat down noisily opposite her and glanced up. “You OK, love?” Gillian gave an embarrassed nod. “Boyfriend?” She shook her head and quickly returned to the salon. At going home time she asked her boss for the next day off and he grumpily agreed. 
It had been on the Six O’clock News when she’d got home, then later a Newsnight special in more detail. The party had given a press conference. Gillian recognised the patronising smile of old, now a little wan as she sat flanked by two young men in smart suits.
“When will you be holding the leadership contest?” a girl asked.
“We’ve already held a secret ballot. Ladies and gentlemen, allow me to introduce the next leader of New Labour.”
Cameras clicked and lights flashed. A man put his hand up.
“Is this anything to do with the new drug you’ve been taking, Ma’am?”
The woman gave her questioner a frosty stare. “I don’t take drugs, young man. I just do what I can to help my country. Where there is strife let us bring peace, where there is…”
Gillian switched it off. She took down the picture of her father with his dark overalls and grimy, grinning face from the bookshelf and stared at it for a long while until she found herself crying.
Her father’s grave lay beneath a large knotted pine at the bottom of the churchyard, her brother’s beside that, the clean brown marble top and headstone shiny in the strong morning sunshine. It had turned chilly, but she hadn’t noticed. Peter’s grave was definitely the posher of the two, paid for from her father’s redundancy package and the war office’s cheque they’d received three weeks after the funeral. The rest of the money had been put in trust for her but until today she’d swore never to touch it. She swept off the leaves, replaced the little flowers in the jugs with fresh ones and dipped her head in prayer.
Then she turned and walked quickly away down the hill.
On the train Gillian forced herself not to breathe heavily. The hotel had been booked on the Internet, as nearby as possible. She’d quickly found what she was looking for in Peter’s things. Now it was wrapped in a towel nestling in her overnight bag, making it unexpectantly heavy. She made a mental note to get a taxi rather than risk the security checks on the underground.
Her sleep that night in the unfamiliar bed had been invaded by the whinnying of horses, shoes clattering on the road outside her old bedroom window as their white-helmeted riders in their black padded jackets forced them onto the crowd below, pushing them backwards along the street. She could see the wild-eyed animals’ breath clouded in the yellowy streetlights, and now her father, caught up in a crush of angry men. She glimpsed his face turning away as a long black truncheon fell from the sky and then he was gone, down beneath the flailing hooves.
Her morning call roused her at six thirty. She showered and dressed in the smart new jacket, blouse and skirt she’d bought the previous day and left for the short walk to Downing Street. Too nervous to eat, Gillian felt her stomach rumble as she joined the crowd already stretching along the security gates towards the police checkpoint. Pretending to tie her shoelace, she hunched down to push the child’s stuffed toy police dog through the iron bars. Nobody seemed to notice or care. It had been a good plan then; she was suddenly pleased with herself.
She got around to the other side just in time to grab it back from a little girl too surprised to start crying. Then the crowd swallowed her up as Gillian allowed herself to be carried steadily along the narrow track of pavement between the well-scrubbed brick walls and the yellow crush barriers towards ‘number ten’. She squirmed to the front and waited behind the tape as important looking people came and went. Finally, as flashbulbs flared and television cameras lumbered forward, the black door opened and a woman in matching red skirt and jacket with a red rose clipped to its collar stepped out.
A young man escorted her to a bank of waiting microphones. “I have just informed Her Majesty the Queen of my intention to accept…”
Gillian had ducked below the arms of the policemen holding back the crowd and now stood in the road, twenty paces before the woman. She held Peter’s service revolver in front of her, still partly covered in the toy’s straw stuffing.
“No, I can’t let you do that.” She heard the metallic clicks and rustle of automatic machine guns before the words left her mouth.
The woman flinched then straightened again impressively. “We don’t give in to terrorism, my dear.”
“No, you’re very brave with other people’s lives; my brother’s. You don’t believe in community but you wrecked ours. You crippled my dad and took away his hope. You made people mean, and distrusting and uncaring, and I won’t let you do it again. People have to see…”
Gillian hesitated, her eyes suddenly filled with tears.
“See… what you’ve really done. What you’ll do to them. What you’ve done to me.”
She arched the gun backwards, rested the barrel against the roof of her mouth, and squeezed the trigger.
As her body slumped to the ground a woman screamed followed by two more, birds took off skywards as the pistol crack reverberated around the rooftops. Several policemen in flak jackets hurried the woman in red back inside. As the black door opened for them the TV cameras caught her face as she stared back uncomprehendingly at Gillian’s body in the road.

04/03/2013

Australian fantasy author Joanna Fay talks about 'Daughter of Hope' and 'Reunion'



I'm privileged to have the popular Australian fantasy author Joanna Fay on my blog this week. Joanna has already had her novels 'Reunion' and 'Daughter of Hope' from her 'Siaris Quartet' series published by Musa Publishing and she's also a talented poet. We'll talk about both the novels and poetry but first a little background info:

Joanna Fay is a writer of fantasy novels, short stories and poetry. The first two novels of her epic fantasy sequence The Siaris Quartet, Daughter of Hope and Reunion, have been published by Musa Publishing. Six of her short stories have been published, three of which are set in the Siaris ‘story-world’, and two were shortlisted in the International Aeon Award. Her poems have been much awarded and published. Joanna lives in the Perth hills, Western Australia, with her teenage son and a menagerie of small pets, including a magical white rabbit. She writes and works as a therapist by day, and keeps an eye on the sky for low-flying unidentified objects by night. You can find Joanna at her website, Facebook and Twitter.
Links:



Hi Joanna, welcome to my blog and congratulations on the publication of Daughter of Hope and Reunion, the first two novels of the The Siaris Quartet. Can you tell us about the books, and also about your story-world, Siaris?
I’ll start with Siaris, which goes back to eight years of age, when I started drawing and dreaming of winged people living in a vast, hollow world sustained by magic. During teen years, stories grew about these people, and they became distinct characters with their own languages. By late 20s, I’d written more than 3000 pages of a ‘dramatized hundred thousand year history’ that probably meant I had read Tolkien’s Silmarillion too many times!

After binning most of that unwieldy mass of words, I found the last few hundred pages many years later in a packing case  and wondered if it might gain a readership. It was a vulnerable feeling, putting what was purely personal writing ‘out there’ into a writing group, so I started with a short story – featuring a daughter of the lead villain in the Siaris story-world. From that traumatic fragment, a longer story spooled out in a rush and eventually became a full-length novel. Daughter of Hope really sits as a prequel in front of an already existing, complex story that my critiquing group let me know needed to be a trilogy. So The Siaris Quartet wasn’t planned as such. Its evolution has surprised me greatly, as did the amount of work needed to trim, tighten and focus my writing craft. Luckily, I went in naïve, or it might have scared me off.

You write poetry as well as prose fiction. Does poetry provide you with an avenue for expression that prose cannot? Do you find yourself addressing the same themes in each form?
Yes and yes. Poetry is condensed, crystallized phrases that carry a lot more ‘space’ than prose, in both form and function. With poems, I let an idea percolate, sometimes for months, and then catch it in a stream of consciousness moment when it’s ‘ready’ (I learned the hard way not to answer the phone in the middle of that stream). They tend to land on the page as a fully-fledged ‘unit’ which I don’t edit much. This process holds true for flash fiction and short stories of up to a few thousand words, but the same method can’t be applied to epic fantasy novels! The crafting, tweaking and restructuring has been entirely different, complicated by attempting to rework material that was more than twenty years old. By the time I got half way through the third novel, I had the confidence to throw the original work away and write ‘fresh’, which is so much easier.

As for themes, the cross-over is always there. The acute observations of nature poems find their way into the detailing of Siaris. Much of my poetry contains mythic content; it is also there in Siaris, in more subtle forms. A reader might not say ‘that’s a reworking of the Isis and Osiris myth’ or ‘there goes Orpheus into the Underworld’, but the traces are there. I find it hard not to think in mythic terms of reference in generating ‘my own’ world, and am constantly fascinated with the recycling of archetypes and archetypal stories embedded in the collective consciousness.

The Siaris Quartet books are being published by a relatively new US publisher, Musa Publishing. What attracted you to submit to Musa?
I had submitted a story to the editor of a small press in Australia. It didn’t suit her, but she had just heard of Musa, and thought they might be a ‘match’ for my writing. I sent off a query letter before Musa had officially opened their e-doors, and within a month found Daughter of Hope contracted, then published in mid-2012. Reunion was released three weeks ago, and the third novel Vow’s Answer will come out later this year. It’s been an exciting process and a high learning curve for me, particularly in the arena of promotion and marketing, as a (formerly) reclusive technophobe! Still learning, but Musa are a great team, and their support has smoothed the way.

Hot off the press, here is an excerpt from Reunion:

Immortal love was never meant to be broken, but the road to restoring it is beyond imagining.

The world of Siaris has been thrown into chaos.  Xereth, still reeling from the loss of his children, has bided his time and waited years for the perfect time to exact revenge.  That time is drawing near.  Little does Xereth know, he’ll have unsolicited help along the way.

Long-dormant prejudices have surfaced among the humans and elden of Siaris, and they are turning their hate toward their Guardian protectors. Neither visions nor spell-craft can predict the mutiny being prepared in their protectorate, and when a human and Guardian fall in love the rule banning their marriage only ignites the drive to retaliate.

In the world Riana and her Guardian family protect, war has broken out, led by the man who once loved her, now Lord of the Shadow Realm. The old rules are crumbling, the spells engraved in the Guardians’ bones are breaking down.  Will Siaris and its Guardians survive the changes?

Excerpt:

Strength coursed through Riana’s body as if a river had been unleashed, driving her into a sprint. She hurtled down the dark hallway, swiveling an image of the fortress around in her mind’s vision. Locking onto her position, she took an ascending passage.

She ran hard. Mottled folds of cloth whipped around her ankles. The fortress’s black walls pressed in close, dank and smothering. Her footsteps were muffled, all sounds eaten in the gloom. Her bare feet stung where they met the fierce cold of the floor. She veered around a twist in the corridor and rocked back on her heels. Eyes gleamed in front of her, colder than the stone beneath her feet.

“Riana.”

The voice slid like ice through her head. No mercy lit Maegren’s features, no hint of the knowledge she’d seen. Torchlight licked at the hem of his cloak, sent a chill line down his black feathers.

Riana forced down panic. “Maegren, let me go.”

She held herself still, but a betraying tremor touched her words. He laughed. Backing away, Riana spun about and slipped into a narrow opening to her left. She fled down a pitted slope into deeper blackness lit only by her fractured halo.

She ran until the breath caught in her lungs, until her feet began to slow. The strength she’d built was sapping from her limbs, draining from fractures in her spellsheen.

I can’t escape.

Every turn and kink in the line of the path was drawing her further into the fortress. The dark communal will at its centre closed in fast, tightening the noose. The soft mutters of the gods gnawed at the edges of her mind. Ancient decay cloyed in her nostrils. She lurched to a halt.

Impossibly, Maegren stood before her again. A vindictive smile curled his lips as he swept a low bow. The black hair framing his face swung in glittering sheets. Catching a faint blue glow at the periphery of her vision, terror knifed through Riana and sent pinpricks though her limbs. She glanced back over her shoulder, searching the darkness. In the corner of her eye, an indigo form closed in on her with predator stealth.

“Xereth,” she whispered.

Her cousin’s blue eyes narrowed, transfixing her.

Trapped.

Run to ground like a wild thing.

Sensing something else, unbelieving, she looked down. Low in her belly a point of light welled. New cells sparkled where an egg snuggled in the wall of her womb. She gasped and put a trembling hand to her body. Maegren’s suppressed sound of shock caught her ear. Reacting to Xereth’s presence, she shielded her sudden awareness with all the power she could muster. The white glow in Maegren’s eyes dulled. Weakness crept up Riana’s legs as a picture formed in front of her. She sank to her knees, oblivious to the icy bite of the floor beneath her hand. Before her stood a little boy, quite calm, his eyes shining. He held a hand out to her, one cheek dimpling.

“Mother, it will be all right.”

Thanks, Joanna, that was excellent! You can find Joanna’s novels at the links below. Thanks for coming onto my blog to talk about your work and good luck with the two books and indeed the remainder of what promises to be a very exciting series.


Daughter of Hope links:

Reunion links:


13/02/2013

'Ha-Bloody-Ha' Video Posted On YouTube

My latest attempt at video promotion, this time for my new collection of parodies 'Ha-Bloody-Ha', has just been posted on YouTube. Please have a shufti, and if you really must and after careful consideration of the effects on your sanity, download a copy. Or just have a titter at the video. Cheers!
http://www.youtube.com/watch?v=lQGdBkIXGf0
And here's the link to the book:
http://www.amazon.co.uk/Ha-Bloody-Ha-ebook/dp/B00AR0KHTW/ref=sr_1_5?s=books&ie=UTF8&qid=1357236339&sr=1-5

28/01/2013

The Next Big Thing Blog Hop

I've been invited by a fellow writer to take part in a Blog Hop – it sounds exciting! All I have to do is answer some questions about my next book and then link to some other talented authors I know who will carry on the Blog.

What is the title of your next book?

My debut novel is called Jacey’s Kingdom.
 

Where did you get the idea for the book? 

I’ve always been interested in ‘displaced’ consciousness, when due to usually potentially disastrous circumstances a fantasy world seems more real to the protagonist than the actual one we live in. ‘Life On Mars’ would be a good example, going back ‘A Yankee at the Court of King Arthur’ would also fit; even ‘Alice Through the Looking Glass’ which might well qualify as literature’s first displacement novel. Add this to a fascination with the violent and uncertain times of Britain’s Dark Ages and its not difficult to see how I came up with the plot for ‘Jacey’s Kingdom’.
 

What genre does your book fall under? 

I’ve been told it’s probably historical fantasy, although perhaps a psycho-drama too.
 

What actors would you choose to play your characters in a movie rendition? 

Easy for George, a thirty-nine year old photocopier salesman from Brighton who finds himself stuck in Jacey’s dreamscape; Martin Freeman. Jacey is an eighteen-year old half Nigerian half English schoolgirl so an up-and-coming actress, pretty but tough with it. Myrddin the wizard who is actually Jacey’s psyche controlling the events of the dreamworld; John Hurt would be perfect.

What is the one-sentence synopsis of your book? 

'Trapped in her mind’s Dark Ages dreamscape, Jacey fights for her very survival.'

Is your book self-published or represented by an agency? 

'Jacey’s Kingdom' is published by Elsewhen Press:

How long did it take you to write the first draft of the manuscript? 

I wrote the first version on and off over two years; After submitting to an interested publisher who turned it down but made intelligent observations and critique which chimed with my own I radically re-wrote the story, adding another character view so as to have two rather than one, and rationalised the plot to make more logical sense. This took almost another year and was the version finally accepted by a different publisher.

Who or what inspired you to write this book? 

I love drama that makes me think about the true nature of ‘reality’.

What else about the book might pique the reader's interest? 

Interesting slant on the little we know of Dark Age Britain circa 507AD, even though the background landscape for the action is in fact a talented young historian’s ‘dream’. Real historical characters and a few mythical ones as well, young love blossoming between two people at first at odds with each other, grumpy annoyance between young and old which first turns into reliable friendship then something much deep, pathos, humor, battles, quests, monsters and a last minute resolution which will have your hearts beating wildly. It’s quite a journey.

11/01/2013

'Jacey's Kingdom' Out Today!

My Debut Novel 'Jacey's Kingdom' E-Published Today

The wonderful Elsewhen Press are publishing my novel 'Jacey's Kingdom' today (Friday 11th January 2013) on Kindle, Kobo, Itunes etc. Please have a preview read and download if you fancy an exciting and funny fantasy adventure that will also make you think. 
http://www.amazon.co.uk/dp/B00AZRLREG/ref=tsm_1_fb_lk 

04/01/2013

'Ha-Bloody-Ha'

Cock-A-Snook (no, I don't know what it means either) at 2013 With This Patently Silly But Rather Amusing Collection of Parodies

'Troy Story', 'Bored of the Flies', 'Tweelight', 'Jane Eyre on a G-String'... just some of the familiar names covered in this collection of 25 parodies. Just what exactly did happen at the dawn of man-kinds' 'Quest For Phutt'? How many ridiculous song titles can be rung out of the hard-boiled LA crime story 'Abba-ration'? What exactly does the 'Black Death Helpline' actually do?
These and other pressing questions are all answered, or at least alluded to, in 'Ha-Bloody-Ha', my new Amazon Kindle book available now at all good download sites (as long as they're called Amazon).
http://www.amazon.co.uk/Ha-Bloody-Ha-ebook/dp/B00AR0KHTW/ref=sr_1_5?s=books&ie=UTF8&qid=1357236339&sr=1-5